By transposing Karesansui on the beach with the rake as a sensible tool to symbolize water, the artist introduces here digital, mechanical or mineral graphic elements that interact with waves and clouds.

Each intervention takes into account its environment, which define its starting point. In the manner of a matrix printer he traces the pattern on the sand, each work is thus listed by its duration of realization and the distance traveled.

Depending on the extent of the tracing, a race with the tides begins, the dialogue settles